Sunset Blvd. Essay -- essays research papers

The Thematic Intentions of old boulevardThe movie Sunset Boulevard directed by Billy Wilder and staring the main characters of Norma Desmond, Joe Gillis, and scoop shovel Von Mayerling is ideal example of how pregnant engage making techniques help interpret a movies core theme intentions with vivid clarity. mere Hollywood is the first thing that comes to mind when one speaks about this films style. This signature category combined with the visual style of world and its continuity editing small mise-en-scene and all of its characteristics and soundly the physical exercise of reoccurring motifs with formalistic qualities make the audience grasp the central theme of beneficial how vicious the actual motion industry can be to the individuals that living its alive. I hope to convey all of this through a detailed explanation involving and about precise scenes included in the film and a direct tie-in of how the precise attributes above play such an important role in expressin g that theme.The first scene that will be canvass is that of opening credits and just how exactly this begins to set the stage for the main theme. In the very(prenominal) first frame, which as well as becomes the establishing tantrum, we come to a game angle shot that is zoomed in close on the words Sunset Blvd painted on a street curb as the bod is also flooded with dramatic nondiegetic music. This becomes very important because the curb is also the gutter. Here, not even ten seconds into the movie, do we get our first glimpse of what the film is about the mise-en-scene here involving a symbolic visual correlativity to the central theme an this gutter frame is depicted through this holy establishing shot. Along with this we get more connection through the voice over actually describing, in an almost a sarcastic manner which should not be the case at all, about a execution of instrument on this high class, high status block. Its almost as if this is a clear depiction of th e true chaos tied in with how this Hollywood support can and will be to the people involved with it. As the film zooms out to a long shot of Sunset, we see the police force brigade come and wiz by through a very quick pan shot. The next thing is a cross amputate to the actual mansion where more commotion is viewed at an obvious murder scene. Bottom line is that the mise-en-scene involved here does an excellent job linguistic context up the movies thematic intentions.... ... truly thinks is going to be another film. The whole scene in its entirety depicts that once once again the dream can be destroyed just as her life has done the same. The final integration of this motif comes in the very last frame as the movie fades out only this is not a normal fade out. Instead Wilder chooses to blur the fade into an eerie white, which gives us a sense that the dream is now finally over.In conclusion I hoped to have demonstrated just how the all the specific film making techniques used t hroughout the film help to peg down the central theme as it is intertwined with the action. As I have conveyed, naturalism is just one of the very important aspects that help the production of this film come to the close of its solid final cut. I think that this be the ultimate visual style of the picture it is what made this movie so great. It got the point across and it definitely had an influence on the way films were shot after it. In a way, it becomes sort of ironic. A film created in Hollywood that molds a horrid model of how messed up its own environs can be, actually end up shaping the industry it finds itself in. That in my opinion is, in itself, supreme filmmaking.